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Cold
Genius
Music:
Eberhard Schoener, Libretto: Alec Cuddeback/ Eberhard Schoener
In
December 1982 Eberhard Schoener hired Klaus Nomi for one of
his
"Classic-Rock-Nights". His characteristic performance
was to sing classical opera music and hits of the 30s in the manner
of counter-tenors.
Eberhard Schoener met Klaus Nomi again in New York and witnessed
how Nomi got caught in the claws of American music management.
After
the concert in Munich Eberhard Schoener visited him twice again
in New York where Klaus Nomi still lived in poorest conditions
at
the Lower East Side. He died from Aids beginning of August 1983
in New York. Shortly after his death he became a pop-cult-figure
in Europe and America.
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The opera "Cold Genius" describes the last hours of
Nomi's life and his pipe dream to sing once on the stage of
an opera. In a virtual-reality-environment his agent (Laurence
Gien) asks him to fulfill his dream and to sing - as Cupido
- together with Cold Genius (Kurt Moll) the famous duet from
the opera "King Arthur" by Purcell. The result is
several layers of reality. Klaus Nomi cannot realize the different
situations anymore. The agent stages a duel-scene between Klaus
Nomi and Cold Genius which ends with the on stage death of Klaus
Nomi in the opera.
But is he really dead? "What is reality?" becomes
the leitmotiv of the opera. The agent takes the remote control
of the television set and spirits both protagonists (Cold Genius
and Klaus Nomi) away. He reveals himself as the "Agent
Of Death" (Main street..), just to spirit himself away
right after. Only the television set stays on and Klaus Nomi
now sees his pipe dream come true in a different reality. |
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Geoge
Kochbek
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Kurt
Moll
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